Portland Guitar Co.

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Portland Guitar Co. | Portland Oregon | Contact Jay Dickinson-503.245.3276 | jay@portlandguitar.com


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Finished Build

The Sunflower Guitar
Orchestral Model OM 1.7.26


15" Lower Bout Walnut Body,
Engelmann Spruce Top,
Ebony Fretboard
User Adjustable Tilt Action Mahogany Neck,
24.625" Scale Length
Ivoroid Binding
Blue Stained Maple Burl Appointments

Page 6


(139) 13 Aug, 2009
Now the neck is ready to be shaped. I use a variety of tool, but I start out using the idler wheel on my belt sander to get the basic shape defined.

(140) 13 Aug, 2009
After the belt sander I use a variety of sanding blocks to fine tune the shape.  

(141) 13 Aug, 2009
I work relatively slowly in this process as it is much easier to remove wood from the neck than it is to put it back.

(142) 13 Aug, 2009
I use a contour gage to check the shape.

(143) 13 Aug, 2009
In this picture I have drilled a hole in the heal of the neck that will hold the neck angle adjustment bolt.  The flange on the left will be glued on top of  the bolt to firmly hold it in place.

(144) 13 Aug, 2009
The bolt plug glued in place.

(145) 13 Aug, 2009
A hole is drilled in the front of the neck heal to allow an Allen wrench to access the adjustment bolt.  I install a bolt insert  in the hole for the heal strap button.

(146) 13 Aug, 2009
A hole is drilled in the heal channel  for a bolt insert that will accept the adjustment bolt.

(147) 13 Aug, 2009
The bolt insert is installed.

(148) 13 Aug, 2009
Here we see all of the hardware in the heal channel.

(149) 13 Aug, 2009
The head stock is going to be bound, so a channel must be routed out to accept the binding.

(150) 13 Aug, 2009
A nice clean channel is routed out for the binding.

(151) 13 Aug, 2009
Installing the binding on the head stock

(152) 13 Aug, 2009
I use my universal bindalator to rout ou channels in the body to accept the binding and purfling.

(153) 13 Aug, 2009
Aside from the dust, a  set of crisp binding channels.

(154) 13 Aug, 2009
I use a Dremel router to rout out the channels for the heal channel binding.

(155) 13 Aug, 2009
Pinstripe purfling gets installed first.

(156) 13 Aug, 2009
And then the binding gets installed.

(158) 13 Aug, 2009
Here I am drilling the relief holes for the tuning machines.

(159) 13 Aug, 2009
Ebony plugs go into the relief holes.

(160) 13 Aug, 2009
And then the plugs are drilled out to accept the tuning machines.  This will result in a crisp black ring that offsets the tuning machine washers.

(161) 13 Aug, 2009
The tuning machines go in for a look see.

(162) 13 Aug, 2009
Here I am shaping the fret wire ends smooth and round.

(163) 13 Aug, 2009
This guitar will have a unique sun flower on the head stock.  Here I am cutting out tiny little pieces of veneer.

(164) 13 Aug, 2009
A nice sun flower to go on the end of the fret board stalk.

(165) 13 Aug, 2009
The heal cap is formed from the same maple burl as the head stock.

(166) 13 Aug, 2009
The heal cap.

(167) 13 Aug, 2009
Now I am set up to apply the finish.  I have a spray booth set up and use these fixtures top hold the guitar body and the neck.

(168) 13 Aug, 2009
I use a balloon in the sound hole as a plug.

(169) 13 Aug, 2009
The neck is held so the head stock is parallel to the ground.  This helps prevent the finish from running.

(170) 13 Aug, 2009
The body fixture allows me to rotate it in two dimension so I easy access top all of the parts.  I will apply many many coats water born polyurethane lacquer sanding them smooth after every second or third coat.  Ultimately, after the lacquer is cured, the final thickness of the finish is about 3 to 5 mils.

(171) 13 Aug, 2009
This fixture hold the guitar during the spray process so I don't get fatigued.

(172) 13 Aug, 2009
I have a nice case to hold the guitar and protect it from damage.

(173) 13 Aug, 2009
Steve's guitar assembled for a look see before it gets lacquered up.